The Jazz Age that
phrase coined by J Scott Fitzgerald for the 1920s during which he portrayed his
Great Gatsby ... seems to epitomise the spirit of the post War/pre Depression era
...
The Goldsmiths’
Company had another exhibition this year “Ultra
Vanities - Bejewelled Make-Up Boxes from the Age of Glamour” (1920 – 1970)
... displaying nearly 300 of these most exquisite little nécessaires de beauté
or minaudières...
The
collection is owned by one person – but what a wonderful co-incidence of timing
that the Goldsmiths’ were able to show us these works of art.
With
the end of the War, society had once again to adjust ... but times had changed –
the middle classes were wealthier and could move into the upper echelons of
life, while the rich mingled as travel was easier ... yet many were poorer,
then there were the wheeler-dealers, gangsters call them what you will ... who
preyed on others to get by ...
My photo of the inside of the brochure |
This ‘little’
collection takes us back and lets us look forward ... these bejewelled
precious-metal cases are miniature feats of engineering and skilled
craftsmanship ...
... the
War encouraged new developments, yet people moved to escape those ravages ...
the engineers, designers and jewellery trades came into their own catering to
these new classes ...
Wiki: Van Cleef + Arpels' minaudiere 1934 |
Cosmetics
date back to 4,000 BC, Egyptian times, however in western societies they
remained largely the preserve of the upper classes until the 19th
century: their application had been for private consumption, not public
flaunting.
Now as
a response to changing fashion and the developing social history after the War,
make-up became acceptable and these little ultra
vanities offered an essential accessory in the early 20th
century.
The
Jazz Age prevailed ... minimal clothing, a bob hair cut and a counterbalancing
micro handbag or minaudière ...
the jewellery trades, fashion houses and designers all flourished: stone
cutting and setting, enamelling and lacquering – with some ‘boxes’ taking up to 500 hours to make.
My photo - unknown maker c 1925 made from Lapis Lazuli with a Chinese incluence |
The
skill of the craftsman is so apparent ... a tiny metal box ingeniously engineered
to contain a powder compact, lipstick, comb, cigarette holder and occasionally a
notepad and pencil ...
...
then the designers and jewellers could craft their magic on the metals ...
adding rubies, diamonds, emeralds, sapphires, using soft stones, enamelling, exquisite artwork,
creating modern designs ... setting trends ...
As fashion
changed during the 1930s to the simpler, elegant Art Deco designs ... the
French jewellers and fashion houses changed accordingly ... feathering the gold
lids, pierced work for a screen top, jadeite plaque added onto an enamelled
face ...
My photo: Tiffany 1950 - 1960 |
... during
the 2nd World War the design was more severe ... while their
decoration came from coloured metals, rather than the ostentation of precious
metals, stones or enamels.
The
1950s saw a brief resurgence, when the tiny metal cases were incorporated into
the frames of handbags, but the advent of youth culture dealt minaudières their death knell.
Charlton: 1950; another Tiffany; Lacloche 1920 (black enamel, with gold and coral); Chaumet 1925 (grey gold, enamel, rubies and diamonds) Photo from Luxury Launches and much better photos if you'd like to look. |
The incredible
luxury, sophistication, decadence and romance of the Age of Glamour is so
exquisitely on show at this Gold Exhibition ... which puts into context the
film of the book “The Great Gatsby” ...
... as
many of you know – my education starts here – I am so unread it’s almost
embarrassing, but I’m learning through you ... on my way to London yesterday –
not for this exhibition ... but to see some Harry Potter, tube posters and Lego
maps! ... strange but true ... I spent a few minutes looking at books as one
does waiting for trains ...
I
picked up The Great Gatsby, the paperback, in which there’s an interview with
Baz Luhrmann on his realisation of the film ... and realised the connection
with this Goldsmiths’ Exhibition ...
My photo: and open necessaire by Lacloche Freres c 1926 |
... the
interview opens up new doors too ... let alone the fact that the Great Gatsby
is a novella ... so on my return last night I bought it – hence the fact I know
about Fitzgerald and Zelda being the Jazz couple and his adoption of that
phrase The Jazz Age.
Fascinating
times ...
I’ve
posted some photos ... but if you’d like to look at better ones please visit
The Jewellery Editor site ...
...
which has wonderful descriptions of these little boxes – for example:
This is a photo from The Jewellery Editor site - which really does show the incredible engineering skills that went into the design of these tiny ultra vanities |
A rectangular nécessaires de beauté or minaudières, by
Van Cleef + Arpels (5 ½ x 3 x 0.7 inches)
showing the internal elements of compact, comb, lipstick and a space
(possibly for cigarettes).
Made of
gold, the lid is engraved with plant motifs, with each flower comprised of four
rubies and a diamond in closed settings.
At the edges of the cover, each flower has three ruby petals. There is an invisible button on the base to
open and close the lid.
The Goldsmiths' Company Summer Exhibition - free entry and open til 20th July 2013
Hilary
Melton-Butcher
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