This magnificent sculpture stands outside our Towner Gallery … it was originally (in 2018) on the fourth plinth in Trafalgar Square …
Image courtesy Rob Harris
(link below)
Michael Rakowitz, the sculptor, is an Iraqi-American artist living and working in Chicago – he is known for his conceptual art shown in non-gallery contexts.
Rakowitz is known for his recycled projects … be they salvaged date syrup cans as here, or reconstructed artifacts looted from the Iraq Museum and excavation sites from diasporic ephemera, such as newspapers and grocery stores.
Close up of hoof and lower limb - showing
empty date syrup cans ...
'Our statue' is made from 10,500 Iraqi date syrup cans sculpted around a metal frame – it is 4.3 metres (14 feet) in length.
Lamassu, a winged bull protective Assyrian deity, that stood at the entrance to the Nergal Gate of Nineveh from ca. 700 BC until February 2015, when ISIS destroyed it along with artefacts in the nearby Mosul Museum.
Lamassu, Neo-Assyrian Empire
(c 721 - 705 BC)
Here we find Rakowitz reminding us about the disasters we are inflicting on the world through human, economic and ecological disasters caused by the Iraqi Wars (in this instance) and their aftermath …
… today we need to add at least two other wars in Ukraine and in Israeli/Gaza … let alone all other natural and unnatural disasters we are exposing the world and its occupants to …
As a reminder Iraqi dates were once considered the best in the world and formed the country's second largest export after oil.
Nineveh - city wall and gates (NB Nergal Gate - top left) |
The sculpture is entitled 'The Invisible Enemy should not exist (Lamassu of Nineveh)' – the carved cuneiform inscription was invisible to travellers as it was embedded into the wall of the Nergal Gate …
… here Rakowitz has it exposed … while it translates as “Sennercherib, king of the world, king of Assyria, had the wall of Nineveh built anew and raised as high as mountains”.
Lamma - protective winged deity,
Sumerian Isin-Larsa period
(2000 - 1800 BC)
There's rather more to Lamassu and its (her) history – to be found per the links below; also more about Michael Rakowitz.
Then of course one remembers the past twenty years of wars (War in Iraq from 2003 - 2011) and the further destruction that has been inflicted on world societies … be they human, economic and ecological – so much history to remember, to learn about …
Close up of the carved Cuneiform
inscription - sorry not easy to see
I know exceedingly little about life in the Middle East centuries ago to today … so these links can send you off down rabbit holes … and have and will send me down them again …
As our town welcomes the Turner Prize 2023 to the Towner Art Gallery – in celebration Eastbourne has come ALIVE with art, music, and performance events … these are spread across the town waiting to be explored and enjoyed.
Lamassu makes a huge statement – as well as a glorious gateway for all the Turner Prize entries hosted by the Towner Art Gallery – available until middle of April 2024.
The winner of the Prize is due to be announced next week on 5th December … I guess I will revert – but I have to get my head round the entries – contemporary art is different: a learning curve!
Towner Eastbourne link - including photo by Rob Harris - showing the cuneiform inscription ...
Green Art Gallery - showing details re the Trafalgar Square plinth ...
Chicago Museum exhibits - "Lost Treasures of Iraq" ... lovely photos here ...
Wikipedia - Nineveh ...
Hilary Melton-Butcher
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