England’s Leonardo .. our hanging Hooke?

Skulduggery or Restoration – which one will out? This irascible, somewhat deformed man, whose incredible mind had led him as a child from the Isle of Wight to London, to the scientific community and through sheer hard work and brilliance had shone through and been accepted as assistant to a number of leading scientists, before becoming the Curator of Experiments to this coterie.

The age of global exploration had occurred, now – the 17th century - was the turn for learned minds to record new things and experiment with all things ... yet political and royal intrigue would influence the rise and fall of men.

Leonardo da Vinci (1452 – 1519): self-portrait in red chalk c 1512 - 1515
Unrest was stirring, Royalty was loved or hated, the Parliamentarians were on the rise ... clans and families were divided in these uncertain times. Oliver Cromwell rose to the fore as Protector of England (1651 – 1658), Charles I was beheaded at the climax of the English Civil War 1649, before Charles II, after exile on the Continent, was restored to the throne in 1660.

These were the times into which Robert Hooke (1635 – 1703)was born. He was the weak youngest child, of the local Royalist curate and schoolteacher, who showed prodigious interest in observation, mechanical works, and drawing (making his own materials from coal, chalk and ruddle (iron ore)) ... writing journals, illustrating them and keeping records: showing an early scientific mind.

He was sent to London, aged 13, to take up an apprenticeship, purchased out of a legacy from his father on his death in 1648, with Peter Lely, a Dutch portrait painter to the English Crown, before being accorded recognition, as a child with an energetic mind, by the scholarly headmaster of Westminster School, Dr Busby, who accepted him into his group of students.

Young Hooke quickly mastered Latin and Greek, made some study of Hebrew, and mastered Euclid’s Elements, while continuing his study of mechanics. The Elements is a mathematical and geometric treatise consisting of 13 books written by Euclid, a Greek mathematician, in Alexandria circa 300 BC. It has proven instrumental in the development of logic and modern science.

Busby had other illustrious pupils, including Christopher Wren, Robert South and John Dryden. In 1653, Hooke obtained a chorister’s place Christ Church, Oxford after taking twenty lessons on the organ! He was employed as a ‘chemical assistant’ to the natural philosopher Robert Boyle, who was constructing, operating and demonstrating his ‘new fangled’ air pump.

The Invisible College was the precursor to The Royal Society, consisting of natural philosophers (scientists) including Boyle, Hooke and Wren. (1646/7)

Hooke’s time at Oxford cemented his life-long passion for science, while his tutors and the friends he made were of paramount importance to him throughout his career. This was a time, the 1650s, when the Royalists were acutely conscious of the turmoil and uncertainty of the times: there was a sense of urgency in preserving the scientific work they perceived as being threatened by the Protectorate. This scientific group went on to form the nucleus of ‘The Royal Society of London for the Improvement of Natural Knowledge’, or as we know it today The Royal Society.

When Charles II returned to the throne in 1660 – he became a patron of the arts and sciences, founded The Royal Observatory, and supported The Royal Society, whose early members included Robert Hooke, Robert Boyle, and Sir Isaac Newton.

Charles II was the personal patron of Sir Christopher Wren, the architect who is credited with the rebuilding of London after the Great Fire of 1666, and the Royal Hospital Chelsea (Chelsea Flower Show location), which Charles founded as a home for retired soldiers in 1682.

The silk on a spider's web forming multiple elastic catenaries: The application of the catenary to the construction of arches is due to Robert Hooke, who discovered it in the context of the rebuilding of St Paul's Cathedral.
Hooke, whose great friend Sir Christopher Wren always supported him, was appointed Curator of Experiments to the Royal Society in 1662 and his agile mind originated much, postulating scientific achievements, recording each and every experiment for the Royal Society.

He was a genius amongst men – he was an Architect, Surveyor, Engineer, Chemist, Horologist, Physicist, Astronomer, Painter ... if his darting mind had time to complete his thoughts, and if he was not recorder for the Royal Society, we would not be so enriched today – nor would we have his story to tell.

Remains of the Cathedral after the Great Fire of London (1666) drawn by Thomas Wyck, c. 1673
The play, the play ... I am reminded I need to tell you the story and reason for the script (see my previous post: Hanging Hooke) ... as extraordinary as the man himself. The play opens with the booming voice of the auctioneer – One Million Pounds ... going, going ..... "Ah! Ladies and Gentlemen, there has been a development, Lot 189 ...... "

Why? Lot 189 was Hooke’s long lost Folio, found in the back of an old cupboard that had been casually handed to the auctioneers’ appraiser as he was leaving a Hampshire country house! Three hundred years later the evidence as to Hooke’s potential as a scientific genius was to hand.

The excitement at the find of the dusty Folio has been palpable – the Royal Society keen to preserve the papers under their auspices and the thought of that knowledge being lost again to some private museum was too much to think about.

Godfrey Kneller’s 1689 portrait of Isaac Newton(age 46)("Newton the unscrupulous" - perhaps? - he loathed Hooke)

Going, going and not gone ... the auctioneer’s voice boomed out ... “Lot 189 has been withdrawn”. Expectant gasps within the hall heard that after negotiation Hooke’s folio was going to back to the Royal Society where it belonged and from where it could be studied - the three hundred year old puzzle would finally be pieced together.

His time had come – Robert Hooke could take his place in the annals of English history at The Royal Society as only we can do in 2010 making his papers available for us all to peruse – via the wonderful technical device of ‘turning pages’.

What exactly happened to Hooke’s papers, his drawings and any portraits that would have surely been painted at that time before his vilification we shall never know; however Sir Isaac Newton’s abhorrence of Hooke is well known and when The Royal Society looked for new premises in 1710 after Hooke’s death ... is it possible that all semblance of records were destroyed then ... ?

The Royal Society in the 20th and 21st centuries however had other ideas and in their reconstruction of the Minutes of the Experiments and Meetings of that time – left stubs ... so that if the papers should ever come to light, they could be restored to their rightful place: forward thinking!

Sir Christopher Wren (aged 68) in Godfrey Kneller's 1711 portrait; (Wren was always a good friend to Hooke)
So Hooke hung for a while ... now he is being rewound and reconstructed... his papers have been found, his first burial place is known – but his remains and others were removed and reburied; two sites have been identified and if his remains can be found then the forensic anthropologists may be able to conduct facial and skeletal reconstruction – as they did for the Sir John at Stirling Castle.

So Hooke will once again be hung in pride of place amongst The Royal Society’s eminent Fellows, his papers restored to their rightful place, appropriate commemorative plaques have been installed in Westminster Abbey, at St Paul’s Cathedral and at the Monument will all remind us of our ‘English Leonardo’ – the man who for twenty years was one of our fathers' of modern science.

Finally rest in peace Robert Hooke – your time has come ... your story is being told (even if we have to decipher your coded papers!), which will be held within the annals of history forever.

As no contemporary portrait of Robert Hooke seems to have survived from the seventeenth century, this one is a reconstruction from the descriptions by his colleagues Aubrey and Waller. It shows him with a spring, pocket watch, fossil and map of the City of London after the Great Fire of 1666.

He helped to survey and plan the rebuilding. The sky on the left indicates his interest in astronomy. The original is an oil painting on board by Rita Greer, history painter, 2004. This was digitized by Rita and sent via email to the Department of Engineering Science, Oxford University, where it was subsequently uploaded to Wikimedia. Picture extracted via Wikipedia - Robert Hooke

Further References:

The Royal Society - Hooke Folio

Bonham's (Auctioneers) Press Release - with picture of folio & Hooke's writing

Eleventh-hour deal keeps scientific treasure in Britain: Article in Nature.com/News

Oxford University - Department of Science ... List of Hooke's achievements

Hanging Hooke: the play - Take the Space - Theatre Group

Dear Mr Postman – it’s been a quiet time .. my mother does come too and has enjoyed Susie’s company and Reiki practise; Sussex is now getting the white stuff! flurries of gentle flakes are falling ... Britain doesn’t like snow much! Snow in November is rare .. my mother said she was warm and cozy – I just want to jump in too!!
Hilary Melton-Butcher
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