Wimbledon has almost come and gone … we’re still in the Mixed
Doubles (with Heather Watson, and Jamie Murray – who will compete against each
other in the final on Sunday) … sadly Andy Murray is injured, and Johanna Konta
just couldn’t cope with Venus’ fast playing ability … but she will learn …
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Wimbledon Singles
Championship trophies |
… however there have been some extraordinary matches and
Johanna Konta, whose parents live in Eastbourne, definitely is touching
greatness …
… she is determined, practices hard, learns quickly, positive
in all things, prepared to give of her time – but passionate about winning and
succeeding … sounds like us?!
Enough of that … how about more Rosewater, after the last
post? … Wimbledon connections – tennis and food … sounds good to me!
It is except I looked and found some other
interesting information … so this will be the first of three short posts –
where Rosewater, food and history feature.
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Virginia Wade having won
in 1977 |
The Venus Rosewater Dish (will probably be Venus’s this year
… but the Spaniard Garbine Muguruza may have something to say about that …) has
been presented to the Ladies’ Singles Champion since 1886 – when the ladies
were first allowed to compete.
Oh well ... predictions are meant to go wrong aren't they? - I didn't see the match and amazingly Garbine Muguruza won ... so we have a new star in the tennis firmament.
Why - Rosewater dish – it was a ceremonial platter used after
eating to catch warm or cold Rosewater poured from ewers over the hands to wash
them … a daily ceremony amongst royalty and the nobility until the advent of
soap and water. They were made of pewter
prior to the 1500s, then increasingly of silver, or in exceptional cases gold …
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| Silver salvers from the 1730s |
A salver (Latin salva,
save from risk) was originally used by food tasters, who tested food for
poison … the Rosewater dish was considered a salver by extension.
It is something of a misnomer … as none of the mythological
figures on the dish is Venus; nor is the theme of decoration related to tennis,
but to Classical Mythological.
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| Close up showing 'relief' workmanship |
The general size of these salvers made them perfect canvases
upon which to emblazon coats of arms, figures from antiquity, classical scenes
and so on.
Here the central boss depicts the figure of Venus (not
Sophrosyne - the personification of temperance and moderation - as the concept
of the dish caught on in the 1800s when various copies were made: the original
is in the Louvre).
The dish shows Venus seated on a chest with lamp in her right
hand and jug in her left, with various attributes such as a sickle, fork and
caduceus around her.
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The Seven Liberal Arts: imagefrom the
Hortus Deliciarum of Herrad of
Landsberg (12th C) |
The four reserves on the boss of the dish each contain a classical
god with their elements. The reserves
around the rim show Minerva presiding over the seven liberal arts: astronomy,
geometry, arithmetic, music, rhetoric, dialectic and grammar, each with
relevant attribute.
The rim of the salver has an ovolo moulding. The remainder of the surface is decorated
with gilt renaissance strapwork and foliate motifs in relief against a rigid
silver ground.
The curious history of
the trophy known as the Venus Rosewater Dish, a dish that does not have Venus
on it, nor holds rosewater, but such is the nature of replication, reproduction
and appropriation in art, that the Wimbledon original remains at the Club, the
champion takes home a reduced reproduction of the trophy, that is itself a
copy.
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Watching Wimbledon in Canary Wharf -
the new business district to the east
of the City |
The trophy looks stunning doesn’t it … and I’d love to have a look at
it with someone who can take me through the classical mythology story woven
into this gilded, sterling silver salver.
I might have to rethink watching Wimbledon in the coming years ... and take a trip to watch this way.
Hilary Melton-Butcher
Positive Letters Inspirational Stories